Orphic Church Library ASCLEPIVS

Hermetis Trismegisti

DIALOGVS QVI DICITVR

ASCLEPIVS

The Perfect Discourse


the Latin of the lost Λόγος τέλειοςin the text established by Paul ThomasLeipzig, 1921

The Orphic ChurchMMXXVI

the Latin Asclepius, ascribed through the Middle Ages to Apuleius of Madauros

The text

Paul Thomas, ed., Apulei Madaurensis opera quae supersunt, vol. III (Leipzig: B. G. Teubner, 1921). The Orphic Church transcribed it from a digital scan of that printing.

The division

The forty-one chapters are the traditional ones by which the work is cited. The Orphic Church divided each chapter into verses for this edition, so that any passage can be found and cited, as Asclepius 1:3.

The spelling

Thomas's spelling is kept exactly, late and vulgar forms included (inmortalis, conpleto, conexum, ipsud). So are his editorial signs: ⟨ ⟩ for words an editor supplied, [ ] for words he judged not the author's, and † for a corruption he could not securely mend.

The apparatus

His two registers of notes, the parallels to the work and the readings of the manuscripts, are given in full for all forty-one chapters, keyed to the verses. The manuscript sigla are his.

How to cite

Hermes Trismegistus, Asclepius (The Perfect Discourse).
The Latin text established by Paul Thomas
(Leipzig: Teubner, 1921).
Digital edition by the Orphic Church, 2026, which transcribed
Thomas's printing, divided the text into verses, keyed his
apparatus to them, and set the pages.
https://orphic.church/library/asclepius/
Cite by chapter and verse: Asclepius 1:3.

CompactHermes Trismegistus, Asclepius, ed. Paul Thomas (1921); digital edition and verses by the Orphic Church (2026), https://orphic.church/library/asclepius/

The licence

This edition is given under the Orphic License, version 1.0. https://orphic.church/license/

About this edition

The Asclepius survives in Latin, in manuscripts that all descend from a single damaged archetype. Aloys Goldbacher, whose Vienna edition of 1876 first set the philosophical works of Apuleius on a critical footing, sorted the surviving copies into two families and judged the first the more trustworthy: the manuscripts at Munich, in the Vatican, at Wolfenbüttel and one at Paris on the one side; a second Paris manuscript, one at Florence, and a third formerly at Venice on the other.

One manuscript Goldbacher passed over altogether: Brussels 10054 to 10056. Bringing it into the text is Paul Thomas's distinctive act, and the reason to read his edition. He describes it closely: parchment, seventy-five leaves, twenty-three lines to the page, written at the beginning of the eleventh century in two hands. It is roughly a century older than the Munich and Vatican copies on which Goldbacher had chiefly relied.

Thomas made it his guide. He judged that its scribe had worked in good faith, so that where it goes wrong the fault is carelessness rather than interference, and that it alone often keeps either the true reading or one from which the truth can be recovered without difficulty. He marked it B, and constituted his text by it. It is the same manuscript that Clement Salaman, translating the work in 2007, singles out as the most important of the early witnesses.

He did not take the rest on trust. He had the Munich manuscript sent to him and collated it afresh, recording what had escaped his predecessor. He examined the Florentine manuscript himself at Florence in 1903 and corrected the published collation. He obtained a specimen of a further copy in the British Museum, which also carries the Asclepius, and judged it of little worth. The interpolated manuscripts he set aside deliberately, keeping only what other editors had already won from them.

His edition prints the received division into forty-one chapters by which the work is cited everywhere, and beneath the text two registers of notes: the parallels to the work elsewhere, and the readings of the manuscripts.

To Thomas's text this edition adds four things: its transcription from the scan of his printing; the division of each chapter into numbered verses, so that a single clause may be pointed at and returned to; his apparatus, transcribed from the same scan and keyed to those verses; and the setting of the page.

A note from the publisher

We offer this new edition as a gift for the remembrance of the sacred in times to come. It is a great blessing that this text has come down to us with its ancient language intact, for us to consider and learn from. We hope it will help new editions and translations come forth, by the new means now emerging.

Because we hold this text to be sacred, we have divided it into verses, to invite the close and intimate study it deserves, so that more may receive the spiritual nourishment this gift from the past provides. The verses follow a standard arrangement, so that a passage may be referenced alike in the Latin and the English. We have also set out to beautify the text and make it enjoyable for reading and study.

The Orphic Church

Acknowledgements

The preservation of texts involves many hands, and many of those who are responsible for preserving this text we are not able to thank by name, for their names do not come down to us. We thank all those who have translated, compiled, preserved and published this work in the past.

We thank Paul Thomas for his work on this text, for this edition would not be possible without him.

We provide a digital parallel edition of G. R. S. Mead's English translation alongside Thomas's Latin text, and we extend our gratitude to him for this as well.

  • Paul Thomas, ed., Apulei Madaurensis opera quae supersunt, vol. III (Leipzig: B. G. Teubner, 1921).
  • G. R. S. Mead, trans., “The Perfect Sermon, or The Asclepius,” in Thrice-Greatest Hermes, vol. II (London and Benares: Theosophical Publishing Society, 1906), 307–390.

For the interactive digital edition

The dictionary entries in the word panel are drawn from Charlton T. Lewis and Charles Short, A Latin Dictionary (Oxford: Clarendon Press, 1879), in the machine-readable edition of the Perseus Digital Library, Tufts University. That edition is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License (https://creativecommons.org/licenses/by-sa/4.0/). Its entries are condensed here for display, and the condensed entries are shared under the same licence.

The analyses of each word's form come from William Whitaker's Words, through its Python port by Archimedes Digital and Benoit Lagae, released under the MIT License.

The text of G. R. S. Mead's translation in the parallel view comes from the transcription of Thrice-Greatest Hermes published by the Internet Sacred Text Archive (sacred-texts.com), and we thank the archive for it.

The grammar cited in the teaching edition is Allen and Greenough's New Latin Grammar, in the edition of 1903, quoted by its numbered sections.

  • Charlton T. Lewis and Charles Short, A Latin Dictionary (Oxford: Clarendon Press, 1879); machine-readable text, Perseus Digital Library, Tufts University (https://github.com/PerseusDL/lexica), CC BY-SA 4.0.
  • William Whitaker, Words; Python port whitakers_words 0.7.0 by Archimedes Digital and Benoit Lagae, MIT License.
  • G. R. S. Mead, Thrice-Greatest Hermes, vol. II (1906); electronic text, Internet Sacred Text Archive (https://sacred-texts.com/).
  • J. H. Allen and J. B. Greenough, New Latin Grammar for Schools and Colleges, ed. J. B. Greenough, G. L. Kittredge, A. A. Howard and B. L. D'Ooge (Boston: Ginn and Company, 1903).
  • Clement Salaman, tr., Asclepius: The Perfect Discourse of Hermes Trismegistus (London: Duckworth, 2007).

The digital edition

Beside the book, the Orphic Church offers the Asclepius as an interactive edition, in six views. Each opens the same text a different way.

Reading

Thomas's Latin, chapter by chapter, with his apparatus: the parallels to the work and the readings of the manuscripts, marked in the text by small letters.

Set the verses one to a line or as flowing prose with ¶, and place the apparatus at the foot of each chapter or beside its verse with †. Select any Latin word to see the forms it can take and its entry in Lewis and Short.

Parallel

Thomas's Latin and G. R. S. Mead's English translation of 1906, side by side and verse by verse, so that each verse can be read beside its rendering. Mead's own footnotes stand beneath the verse they belong to.

Mead translated from an earlier edition of the Latin, Hildebrand's of 1842, so his English at times follows a reading that differs from Thomas's.

Interlinear

Every word of the Latin in order, verse by verse, with a short English gloss beneath each word, for reading the Latin closely.

The glosses come from Whitaker's Words, which gives every analysis a form can bear; which one is meant depends on the sentence. Select a word to see all its analyses and its Lewis and Short entry.

Lexicon

Every word form in the Asclepius, from the most frequent down, with its leading gloss and the number of times it occurs.

Type part of a word to narrow the list, and select a form to see its full analyses and dictionary entry.

Teaching

The Asclepius chapter by chapter as a teaching edition. Each span of Thomas's Latin stands with a literal English construe beneath it and then Mead's rendering of it, so that what a translation keeps and what it changes can be seen word by word. Words carried over faithfully are quiet; a change is marked on the word itself.

Select any span to open what it holds: what each rendering chose there, what it left out or added, and the readings the Latin allows that no translator took, each with its grounds in Lewis and Short, in Allen and Greenough's grammar, in Thomas's apparatus, or in the Asclepius itself. Show or hide each layer, and read in the order of the Latin or of a translation.

Clement Salaman's translation of 2007 is in copyright. Where the teaching discusses his choices it describes them and quotes a few words; his translation itself is not reproduced.

Outline

The Asclepius outlined whole: the one idea the work sets for itself, divided where the text divides it, and the dialogue divided from the whole down to its parts, movements, passages, steps and verses, each verse said in the terms the argument turns on.

Beneath every head stand the Latin words it begins and ends with. Every relation rests on the words that ground it, underlined in place; select a word, an address or a verse range to read the text there. Each claim of the outline is tested if it holds and if it is denied, and the whole is stated again at the end.

Signed by the Orphic Church. How to check

Versions

Version 1.1 · 2026-09-17

  • Front matter revised.